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‘House of Hammer’ – the docuseries that no screenwriter would dare to write

By Paula Hergar

Posted on 15 September, 202215 September, 2022

‘MotoGP Unlimited’, unrestricted access to the glories and torments of motorcycle racing’s biggest and best

By Daniel Forcada

Posted on 11 March, 202211 March, 2022

‘Pajares & CIA’: settling old scores with post-Franco censorship ‘destape’ era

By Helena Cortés

Posted on 9 February, 20229 February, 2022

‘Lola’, the docuseries that finally restores ‘la Faraona’ to her rightful place

By Paula Hergar

Posted on 26 October, 202124 November, 2021

‘Fernando’: everything for a dream

By Bárbara Padilla

Posted on 26 August, 202126 August, 2021

Fran Lebowitz, licensed to annoy

By Àlex Gutiérrez

Posted on 5 February, 20215 February, 2021

From Sabadell to Europe

By Fèlix Colomer

Posted on 1 February, 20211 February, 2021

What’s new to platforms this February

By Arnau Martín Camarasa

Posted on 29 January, 202129 January, 2021

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  • Tomàs Fuentes: “With stand-up, it doesn’t matter how famous you are, you have to work on your material and test it out on audiences.”
  • Three Wise Men resort to fly-on-wall film to resurrect their image
  • Nacho Sánchez: “I like characters that are a bit strange.”
  • ‘Reboot’ takes on the the traditional sitcom
  • ‘Utama’ – a love story set in the Bolivian highlands that sounds the alarm on climate change
  • ‘Fácil’ (Simple) – the Movistar Plus+ series that leaves no one indifferent
  • ‘Willow’ is back to bewitch new generations

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