Dahmer, the monster the system ignored

‘Wedding Season’, when the funeral is just around the corner

‘Blonde’: too much pain

Kike Maíllo: “Some scams are based on the greed of the scammer”

‘The Bear’ – stress and sparks fly in this family-run restaurant

The 11 hardest-hitting shows coming this October

The Gypsy Bride by ATRESplayer, a perfect adaptation for Carmen Mola’s saga

Young theater companies making the leap to TV

Alberto Rodríguez: “I like making films that make people ask themselves questions”

The Girls at the Back – the triumph of friendship through laughter and tears

‘Mike’: the biggest blow will be felt by viewers

‘Pinocchio’ stripped of its magic

‘House of Hammer’ – the docuseries that no screenwriter would dare to write

In ‘Un asunto privado’ the women are warriors, and better cops

‘Nope!’: what might have been… but wasn’t

Adrián Silvestre: “I believe in cinema that borders on political incorrectness and that makes you think.”

9 series essential for farewelling summer

‘The Head 2’, survival at the limit aboard a ship on the high seas

The most dazzling debuts on the streaming services this summer

‘Peaky Blinders’, a finale far beyond aesthetics