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Blockbuster: the Netflix comedy about the onslaught of streaming

By Toni de la Torre

Posted on 9 November, 20229 November, 2022

‘Black Adam’: Dwayne Johnson saves the day

By Bárbara Padilla

Posted on 7 November, 20227 November, 2022

‘Historias para no dormir’ – as disturbing as your energy bill?

By Daniel Forcada

Posted on 4 November, 20224 November, 2022

The Watcher – a spooky story involving a house and its stalker

By Àlex Gutiérrez

Posted on 3 November, 20223 November, 2022

‘El Inmortal’ (The Immortal) bursts onto Movistar Plus+ with a return to one of Spain’s most violent eras

By Paula Hergar

Posted on 31 October, 202231 October, 2022

The top 8 new shows streaming in November

By Arnau Martín Camarasa

Posted on 28 October, 202228 October, 2022

‘¡GARCÍA!’: Franco’s super-spy roams around lost on Gran Vía

By Daniel Forcada

Posted on 26 October, 202226 October, 2022

The Rings of Power: All that is gold does not glitter

By Toni de la Torre

Posted on 24 October, 202224 October, 2022

Isaki Lacuesta: “I always try to make poetic films, and poetry can encompass politics”

By Pere Vall

Posted on 21 October, 202221 October, 2022

‘Everything Calls for Salvation’: learning to embrace madness

By Helena Cortés

Posted on 19 October, 202219 October, 2022

‘Los 8 de Irak’ (The Iraq 8), Movistar Plus + pays homage to the greatest wound ever inflicted on the Spanish Intelligence Service (CNI)

By Paula Hergar

Posted on 14 October, 202214 October, 2022

Dahmer, the monster the system ignored

By Àlex Gutiérrez

Posted on 12 October, 202212 October, 2022

‘Wedding Season’, when the funeral is just around the corner

By Pep Prieto

Posted on 10 October, 202210 October, 2022

‘Blonde’: too much pain

By Bárbara Padilla

Posted on 7 October, 20227 October, 2022

Kike Maíllo: “Some scams are based on the greed of the scammer”

By Pere Vall

Posted on 5 October, 20225 October, 2022

‘The Bear’ – stress and sparks fly in this family-run restaurant

By Toni de la Torre

Posted on 3 October, 20225 October, 2022

The 11 hardest-hitting shows coming this October

By Arnau Martín Camarasa

Posted on 30 September, 202230 September, 2022

The Gypsy Bride by ATRESplayer, a perfect adaptation for Carmen Mola’s saga

By Paula Hergar

Posted on 28 September, 202228 September, 2022

Young theater companies making the leap to TV

Por Àlex Gutiérrez

Posted on 27 September, 202227 September, 2022

Alberto Rodríguez: “I like making films that make people ask themselves questions”

By Pere Vall

Posted on 23 September, 202223 September, 2022

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