‘Nomadland’, a journey into the sunset

‘Minari’: you reap what you sow

The Chinese checkers of cinema awards ceremonies

‘Palmer’: boys playing dolls and we’re still acting surprised

‘Raya and the Last Dragon’ – Disney princesses no longer need love interests to save the world

Pearls on Star

‘Adú’, an uncomfortable reality

What’s new to platforms this February

Lluís Quílez: “It’s difficult to make an action movie when we shoot so many comedies here”

No time for nostalgia

“Soul”, or learning to live

‘Wonder Woman 1984’: Careful what you wish for

Juanma Bajo Ulloa: “Today the public themselves perform the work of censorship”

Lluís Danés: “The establishment has always acted like a freedom-sucking vampire”

‘The Paramedic’: mine, and mine only

SEMINCI, a test of resistance

“The King of Staten Island”: Pete Davidson, barefaced

Postcards from the edge… of Sitges

‘Tenet’: Or how to turn quantum physics into visual entertainment

Allen and the demise of (all) love