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‘Nomadland’, a journey into the sunset
‘Minari’: you reap what you sow
The Chinese checkers of cinema awards ceremonies
‘Palmer’: boys playing dolls and we’re still acting surprised
‘Raya and the Last Dragon’ – Disney princesses no longer need love interests to save the world
Pearls on Star
‘Adú’, an uncomfortable reality
What’s new to platforms this February
Lluís Quílez: “It’s difficult to make an action movie when we shoot so many comedies here”
No time for nostalgia
“Soul”, or learning to live
‘Wonder Woman 1984’: Careful what you wish for
Juanma Bajo Ulloa: “Today the public themselves perform the work of censorship”
Lluís Danés: “The establishment has always acted like a freedom-sucking vampire”
‘The Paramedic’: mine, and mine only
SEMINCI, a test of resistance
“The King of Staten Island”: Pete Davidson, barefaced
Postcards from the edge… of Sitges
‘Tenet’: Or how to turn quantum physics into visual entertainment
Allen and the demise of (all) love
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