Isak Férriz: “I’ve been bored with blockbusters for a while now. Superhero cinema is damaging to audiences”

Álvaro Cervantes: “I’m afraid that people will forget the collective experience of going to a theatre”

Lluís Quílez: “It’s difficult to make an action movie when we shoot so many comedies here”

Juanma Bajo Ulloa: “Today the public themselves perform the work of censorship”

David Victori: “I’m fascinated by human nature and how we sustain our moral principles in the most extreme situations”

Brendemühl: “I prefer directors who put me in a place where I’m not comfortable”

Sergi López: “People don’t believe me when I say that I couldn’t care less about awards”

Elisabet Casanovas: “My ‘Drama’ character doesn’t ask for permission or forgiveness”

Berto Romero: “The absence of humor is a sign of a decaying soul”

Ingrid García-Jonsson: “I have a ‘harder’ time doing comedy than drama”

Raúl Arévalo: “The film industry should have its blockbusters as well as its odd-balls”

Carlos Cuevas: “Some people go lucky for popularity, but it beats me why”

Benito Zambrano: “The most important thing is avoid being boring or causing indifference”

Tomohisa Yamashita, actor: “In The Head, the story transcends cultural and linguistic realms”

Daniel Sánchez Arévalo: “My actors have to be good actors and good people”

Carmen Aguilera: “We uphold a commitment to defending social rights”

Neus Ballús :“All cinema is socially conscious; every film has an ideology”

Luis San Narciso: “Being a casting director is like dreaming”

Leticia Dolera: “Life’s a blend of grotesque, painful and absurd moments”

Mariano Cohn and Gastón Duprat: “4×4 is a tour de force”