My Dog Stupid, the love of Yvan Attal and Charlotte Gainsbourg

Tomohisa Yamashita, actor: “In The Head, the story transcends cultural and linguistic realms”

Jack Ryan and no holds-barred action

The (SEMINCI) Valladolid International Film Festival

Daniel Sánchez Arévalo: “My actors have to be good actors and good people”

Modern Love, the bogus romantic comedy

Carmen Aguilera: “We uphold a commitment to defending social rights”

What’s new in November to streaming platforms

The Top 10 series for spending a Halloween night in

Neus Ballús :“All cinema is socially conscious; every film has an ideology”

Cinema doesn’t close for bereavement

The Watchmen legacy

Woody Allen and the great escape

From Málaga to Malaka

Luis San Narciso: “Being a casting director is like dreaming”

Leticia Dolera: “Life’s a blend of grotesque, painful and absurd moments”

The doors of evil

Breaking Bad – the epilogue

Joker, awaiting the Oscar

Mariano Cohn and Gastón Duprat: “4×4 is a tour de force”

Top Boy: the return of The Wire, British style

What’s new to streaming platforms this October

Ad Astra: Another journey through space

Stranger Things 3′: Back to our dear old 80’s

It Chapter 2: The end of a nightmare

El Crack Cero, Garci’s third

The 10 must-watch series to see before year’s end

Rambo unchained

“Undone”: the animated series that blurs borders

Alejandro Amenábar and While at War

Beverly Hills, 90210: Embarrassingly bad

50 years of Monty Python

An appeal for a video tribute to Donald Sutherland at the San Sebastian Film Festival

Dani de la Orden: “My dream is to make an action and adventure movie”

An apology from 13 Reasons Why

‘The New Pope’ is a The Mediapro Studio production being presented at the Venice International Film Festival: more flesh, more baroque, more Sorrentino

María Ripoll: “The best thing about directing is discovering new cultures”

‘Diego Maradona’: football as Greek tragedy

Through the eyes of Orson Welles

‘He who lives by the sword…’, the Galician narco-thriller from Paco Plaza